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Orchestral Compositions

  • Autograph score for “A Negro Work Song”
  • Dvořák’s use of folk music in classical composition influenced Dawson.
  • Hear Dawson in 1982 relay how he was inspired to title his symphony the Negro Folk Symphony (11:44 min.).
  • S. L. Roxy Rothafel, who selected Dawson’s Tuskegee Choir for the Radio City Music Hall opening, also introduced Dawson’s work to infamous conductor Leopold Stokowski.
  • Portrait of Leopold Stokowski
  • Copy of the program of Philadelphia Orchestra performance at Carnegie Hall, November 20, 1934
  • Autographed score for “Oh, m’ Lit’l’ Soul Gwin-A Shine” around which Dawson based the second theme of the first movement of the Negro Folk Symphony.
  • A page from Dawson’s manuscript score for the Negro Folk Symphony, displaying part of its second movement.
  • A page from Dawson’s manuscript score for the Negro Folk Symphony, displaying part of its third movement.
  • A Tuskegee Sunday procession--possibly Homecoming--filmed by Dawson.
  • Dawson with his field recording equipment in West Africa, 1952.
  • Listen to Dawson talk about his travels in West Africa (2:34 min.).
  • Video footage from Dawson’s trip to Africa (watch video 1 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 2 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 3 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 4 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 5 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 6 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 7 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 8 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 9 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 10 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 11 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 12 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 13 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 14 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 15 of 16).
  • Video footage from Dawson’s trip to Africa (watch video 16 of 16).
  • Music recorded in Freetown and Port Loco, Sierra Leone, 12 December 1952 (reel 1, recording 1)
  • Music recorded in Freetown and Port Loco, Sierra Leone, 12 December 1952 (reel 2, recording 1)
  • Music recorded at Fourah Bay College and Suehn Mission, 12 December 1952 (reel 3, recording 1)
  • Music recorded at Suehn Industrial Academy, 20 December 1952 (reel 4, recording 1)
  • Music recorded in Suehn, 22 December 1952 (reel 5, recording 1)
  • Music recorded in Gbarnga and Sanequelle, Liberia, 24 December 1952 (reel 6, recording 1)
  • Music recorded in Gbangitown and Kakata, Liberia, 2 January 1953 (reel 8, recording 1)
  • Music recorded in Liberia and Accra, Ghana, 13 January 1953 (reel 9, recording 1)
  • Music recorded in Accra, Ghana, 15 January 1953 (reel 10, recording 1)
  • Music recorded in Accra, Ghana, 21 January 1953 (reel 11, recording 1)
  • Music recorded in Ghana, 24 January 1953 (reel 12, recording 1)
  • Music recorded in Dahomey, 27 January 1953 (reel 13, recording 1)
  • Music recorded in Dahomey, 2 February 1953 (reel 14, recording 1)
  • Music recorded in Dahomey, 4 February 1953 (reel 15, recording 1)
  • Music recorded in Dahomey, 9 February 1953 (reel 16, recording 1)
  • Photograph of Dawson and Leopold Stokowski, October 29, 1963
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Program for the Philadelphia Orchestra's third concert in Carnegie Hall (New York, New York), 20 November 1934

Copy of the program of Philadelphia Orchestra performance at Carnegie Hall, November 20, 1934

Dozens of reviews appeared nationally following the performances in publications that included The Philadelphia Public Ledger, The Philadelphia Inquirer, The Washington Daily News, The New York Times, and the New Yorker. A review in Anniston’s paper read: "Dawson's triumph seems to verify a statement that repeatedly has been made by the Anniston Star–That the first genuinely great American music would be written by a Negro." Dawson's former composition teacher Carl Busch wrote to congratulate Dawson. He called the work the "finest from an American that has been heard in many years." (Monroe 125-127).